Racism in Othello by Shakespeare
Racism in Shakespeare's "Othello" is a potent theme that permeates the play, casting a dark shadow over the characters and driving much of the conflict. Set against the backdrop of Venetian society, where racial prejudice is rampant, "Othello" explores the corrosive effects of racism on both individual lives and society as a whole.
At the center of this exploration is the titular character, Othello, a Moorish general in the Venetian army. From the outset, Othello faces discrimination and prejudice due to his race and ethnicity. As a black man in a predominantly white society, he is subjected to derogatory remarks and treated as an outsider, despite his esteemed position in the military.
The racism directed towards Othello is exemplified by the derogatory terms used to describe him throughout the play. He is referred to as "the Moor," "thick-lips," and "an old black ram," highlighting the dehumanizing language used to demean and belittle him. These racial slurs serve to reinforce the stereotype of black men as inherently inferior and barbaric, perpetuating harmful attitudes towards people of color.
One of the most overt displays of racism in "Othello" comes from the character of Iago, whose deep-seated prejudice against Othello fuels his malicious schemes. Iago's racist views are rooted in the belief that Othello is unfit to hold power and authority due to his race. He refers to Othello as "an old black ram" and "the devil," using racially charged language to undermine his character and incite suspicion and mistrust among his peers.
Iago's manipulation of other characters is often driven by racial prejudice, as he exploits their own biases and prejudices to further his agenda. He uses Othello's race as a weapon against him, planting seeds of doubt in the minds of those around him and manipulating their perceptions of his character. By capitalizing on the racist attitudes of those around him, Iago is able to manipulate Othello's downfall and orchestrate the tragedy that unfolds.
Another manifestation of racism in "Othello" is the treatment of Othello's wife, Desdemona. As a white woman married to a black man, Desdemona faces scrutiny and condemnation from society, which views their interracial relationship as taboo. Her decision to marry Othello enrages her father, Brabantio, who accuses Othello of using witchcraft to seduce her. Brabantio's reaction reflects the deep-seated racism present in Venetian society, which views interracial relationships as unnatural and immoral.
The racism directed towards Desdemona and Othello's relationship is further exacerbated by the character of Roderigo, a wealthy suitor who feels entitled to Desdemona's affections. Roderigo's jealousy and resentment towards Othello are fueled by his racist beliefs, as he views Othello as inferior and undeserving of Desdemona's love. His racist attitudes are evident in his derogatory remarks about Othello's race and his attempts to undermine their relationship.
Despite facing racism and discrimination from those around him, Othello initially refuses to let his race define him. He asserts his worth and dignity as a man and a soldier, confident in his abilities and his love for Desdemona. However, as the play progresses and Othello's insecurities are exploited by Iago, he begins to internalize the racist attitudes projected onto him, leading to his eventual downfall.
The tragic conclusion of "Othello" serves as a powerful indictment of the destructive impact of racism on individual lives and society as a whole. Othello's descent into jealousy and madness is a direct result of the racism he faces, as he grapples with feelings of inadequacy and self-loathing instilled in him by society. The play's portrayal of racism serves as a sobering reminder of the enduring legacy of prejudice and discrimination, highlighting the need for greater empathy and understanding in the face of racial injustice.
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